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Rose & Olive
Houston neighbors pull back the curtains and expose each other’s lives.
Scanner
Your daily cup of WTF?
Date Machine
Putting your baggage to good use.
The Modern Materialist
Almost everything you want.
Autumn Sonnichsen
A fashionable L.A. photo editor exploring all manner of hyper-sexual girls down south.
ScreenGrab
The Nerve Film Blog
Chase
The creator of Supercult.com poses his pretty posse.
The Remote Island
Nerve's TV blog.
61 Frames Per Second
Smarter gaming.
ScreenGrab
The Nerve Film Blog
Slice
Each month a new artist; each image a new angle. This month: M. Sharkey.
Paper Airplane Crush
A San Francisco photographer on the eternal search for the girls of summer.
Brandonland
A California boy in L.A. capturing beach parties, sunsets and plenty of skin.

new this week
The Remote Island by Bryan Christian
Jon Stewart pointlessly bewilders us, Rachel Maddow. Plus: Conan O'Brien excited about Momma's Boys? And, time to rethink Jenna Maroney?
Screengrab by Various
Today in Nerve's film blog: Our Oscar predictions.
The Modern Materialist by Various
Almost everything you want. Today: We break all ten commandments for a chance at forbidden love.
Dating Confessions by You
"I like myself more than anyone I've ever dated."
Scanner by Emily Farris
We travel back in time to visit Barack Obama's "radical" college days.
Dating Advice From . . . Prop 8 Protesters by Meghan Pleticha
Q: What makes a protest a good date? A: Nothing makes people connect like a common enemy.
Ginger Red by Aaron Cansler
/photography/
61 Frames Per Second by John Constantine
Today in Nerve's videogame blog: Street Fighter. The movie. A new one. With that chick from that Superman show. Don't act like you don't know what I'm talking about!
 POETRY

 

My last girlfriend broke my bed. Yes
we were having sex on it, and maybe
you think I was at least half responsible,
but she was the one who liked to drift
up into the corner of the padded back
where she'd spread her arms like a queen,
and all I could think of was the man
who sold me this fifteen-hundred dollar
sofa-bed, warning me never to put
extra weight where the head should be,
which was exactly where our bodies were,
humping the morning, she in her
careless abandon, me unable to get
the octagonal rims of the salesman's glasses
out of my head; she producing
lovely, husky groans, me listening
to the complaining of springs and joints
and hollow chrome. She would have
scolded me for such a concern —
a piece of furniture compared to living
in the moment, the pleasure of a woman,
a woman who was, after all this time,
adjusting me to intimacy, wanting me
to connect and come, though I didn't
see why this all couldn't take place
a few feet down and to the left.
Soon it wasn't happening at all,
and in the end I found I could tell
her everything except this — better
to have her think my head was full
of other women, or baseball, than discover
I was Felix Ungar guarding the coffee table,
ready with a coaster to ruin his life.
She left me with a convex bed. I sleep
as though on a boulder, feet and head
lower than my chest, listening to the traffic
on Greenwich Avenue, which never stops.





©2003 Douglas Goetsch and Nerve.com
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