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<?xml-stylesheet type="text/xsl" href="http://nerve.com/CS/utility/FeedStylesheets/rss.xsl" media="screen"?><rss version="2.0" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/" xmlns:wfw="http://wellformedweb.org/CommentAPI/"><channel><title>The Movie Moment:  The Wind Will Carry Us (1999, Abbas Kiarostami)</title><link>http://nerve.com/CS/blogs/screengrab/archive/2008/03/28/the-movie-moment-the-wind-will-carry-us-1999-abbas-kiarostami.aspx</link><description>Ambiguity has never been a strong point of narrative cinema. For most directors, film is primarily a literal medium, with the goal of re-creating the real world while conveying all of the necessary information to the audience. But what exactly constitutes</description><dc:language>en</dc:language><generator>CommunityServer 2007.1 (Build: 20910.1126)</generator></channel></rss>