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<?xml-stylesheet type="text/xsl" href="http://nerve.com/CS/utility/FeedStylesheets/rss.xsl" media="screen"?><rss version="2.0" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/" xmlns:wfw="http://wellformedweb.org/CommentAPI/"><channel><title>Trailer Roundup: The Signal</title><link>http://nerve.com/CS/blogs/screengrab/archive/2008/01/09/trailer-roundup-the-signal.aspx</link><description>The apocalypse is a delicious narrative confection I find hard to resist even when it’s packaged in garbage. More often than not, garbage is what you get. Just look at Paul W.S. Anderson’s Resident Evil: Apocalypse . Woof.</description><dc:language>en</dc:language><generator>CommunityServer 2007.1 (Build: 20910.1126)</generator><item><title>Trailer Review: Doomsday</title><link>http://nerve.com/CS/blogs/screengrab/archive/2008/01/09/trailer-roundup-the-signal.aspx#64487</link><pubDate>Wed, 16 Jan 2008 23:46:02 GMT</pubDate><guid isPermaLink="false">bd485f5c-a45b-491f-8e52-c79e7f680fc3:64487</guid><dc:creator>The Screengrab</dc:creator><description>&lt;p&gt;As I mentioned recently, the apocalypse as a motif is fantastic and I plan on asking it to be my valentine next month. I also mentioned that in film, the apocalypse is more often than not a launching pad for some truly heinous genre crap.&lt;/p&gt;
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