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<?xml-stylesheet type="text/xsl" href="http://nerve.com/CS/utility/FeedStylesheets/rss.xsl" media="screen"?><rss version="2.0" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/" xmlns:wfw="http://wellformedweb.org/CommentAPI/"><channel><title>The Rep Report (May 29 -- ...)</title><link>http://nerve.com/CS/blogs/screengrab/archive/2009/05/29/the-rep-report-may-29.aspx</link><description>NEW YORK: Of all Akiri Kurosawa&amp;#39;s films, Rashomon (1950) may not be the one that&amp;#39;s nearest and dearest to anyone&amp;#39;s hearts, but it&amp;#39;s the one that added a word to the international language and opened the floodgates of Japanese movies to</description><dc:language>en</dc:language><generator>CommunityServer 2007.1 (Build: 20910.1126)</generator></channel></rss>