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<?xml-stylesheet type="text/xsl" href="http://nerve.com/CS/utility/FeedStylesheets/rss.xsl" media="screen"?><rss version="2.0" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/" xmlns:wfw="http://wellformedweb.org/CommentAPI/"><channel><title>The Screengrab Holiday Special:  Movies We’re Thankful For (Part Six)</title><link>http://nerve.com/CS/blogs/screengrab/archive/2008/11/27/the-screengrab-holiday-special-movies-we-re-thankful-for-part-six.aspx</link><description>SARAH CLYNE SUNDBERG IS THANKFUL FOR: BILLY LIAR (1963) Billy Fisher is a young man with a well-developed fantasy life and a rather disappointing real one. He lives in some unfun industrial Northern town in drab post-war England. Life after graduation</description><dc:language>en</dc:language><generator>CommunityServer 2007.1 (Build: 20910.1126)</generator><item><title>re: The Screengrab Holiday Special:  Movies We’re Thankful For (Part Six)</title><link>http://nerve.com/CS/blogs/screengrab/archive/2008/11/27/the-screengrab-holiday-special-movies-we-re-thankful-for-part-six.aspx#150919</link><pubDate>Sat, 29 Nov 2008 11:46:53 GMT</pubDate><guid isPermaLink="false">bd485f5c-a45b-491f-8e52-c79e7f680fc3:150919</guid><dc:creator>Mike De Luca</dc:creator><description>&lt;p&gt;Right on, Sarah. I was a dissolute lad of 20, when I saw a grainy print of &amp;quot;The Graduate&amp;quot; on a Boston screen, and damn, was it comforting. And Nina Simone: &amp;quot;Who Knows Where The Time Goes?&amp;quot; or &amp;quot;Ain't Got No/I Got Life&amp;quot; can cut through any melacholic mood. &lt;/p&gt;
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