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<?xml-stylesheet type="text/xsl" href="http://nerve.com/CS/utility/FeedStylesheets/rss.xsl" media="screen"?><rss version="2.0" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/" xmlns:wfw="http://wellformedweb.org/CommentAPI/"><channel><title>When Good Directors Go Bad?:  Great Expectations (1998, Alfonso Cuaron)</title><link>http://nerve.com/CS/blogs/screengrab/archive/2008/11/04/when-good-directors-go-bad-great-expectations-1998-alfonso-cuaron.aspx</link><description>Since making his feature debut with 1991’s Solo con tu pareja , Alfonso Cuaron has become one of the world’s most acclaimed and distinctive filmmakers. That he has managed to do this is a credit not only to his talent but also his versatility. With a</description><dc:language>en</dc:language><generator>CommunityServer 2007.1 (Build: 20910.1126)</generator><item><title>re: When Good Directors Go Bad?:  Great Expectations (1998, Alfonso Cuaron)</title><link>http://nerve.com/CS/blogs/screengrab/archive/2008/11/04/when-good-directors-go-bad-great-expectations-1998-alfonso-cuaron.aspx#146958</link><pubDate>Sun, 16 Nov 2008 00:03:38 GMT</pubDate><guid isPermaLink="false">bd485f5c-a45b-491f-8e52-c79e7f680fc3:146958</guid><dc:creator>Nina</dc:creator><description>&lt;p&gt;I love this movie.&lt;/p&gt;
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