The Screengrab : play time

Set Your DVR!: October 6 - October 12, 2008

Hayden Childs — Tue, 07 Oct 2008 15:00:00 GMT

Hi, Screengrab readers! For my first post, I thought I’d kick off a series in which I suggest various movies worth recording off of cable TV in the upcoming week. See, I know that since you read the Screengrab, you have a fairly solid grasp on the movies and movie history, but there’s always some that slip through the cracks. The movies I’ll mention here will give you a chance to catch up on those that you might have overlooked. If I miss something, please post it in the comments!

Here’s the skinny: I’m assuming, of course, that you’ve gone to the trouble of getting a DVR (or have a VCR you know how to set, at the very least) to go along with the cable you pay for month after month, but you don’t always keep an eye on upcoming movies. Since you’re reading the Screengrab, I’m not going to recommend movies that everyone recommends, such as Singin’ In The Rain (which, incidentally, I record just about every time it’s on, because I always have time to watch one of the dance numbers). I’m not going to be too esoteric, either. I’ll use an in-law test: I’ll stick with movies that I doubt my mother-in-law has seen, and that way will try to catch some of the great movies that are more likely to slip through the cracks. One more thing: no premium channels, mainly because I can’t afford them.

Mon, Oct. 6:
Nothing here. Good thing, too, since I’m not posting this until Tuesday Morning

Tues, Oct. 7:
9:00 am: Ace In The Hole on TCM. I don’t think this is a very good movie. But plenty of reviewers disagree with me, so I’m going to mention it. Actually, by the time this goes live, it'll probably be too late.

8:00 pm: Don’t Look Back on VH1CL (repeating at 11:30 pm). Maybe you’ve seen this, and maybe not. But it’s one of the great rock documentaries and, if you watch it, you’ll enjoy I’m Not There that much more.

Wed, Oct. 8:
11:45 pm: The Gay Divorcee on TCM. I mentioned I like dancing, right? This is Fred and Ginger at their best.

Th, Oct. 9:
1:45 am: Top Hat on TCM. I take those last comments back. This one is Fred and Ginger at their best.

7:00 pm: Four Jacques Tati films (Jour de Fete, Mr. Hulot’s Holiday, Mon Oncle, and Play Time) on TCM. Ah, the whimsy! Can you stand it? Honestly, I’ve only seen the last of these, and I wasn’t much taken with it at the time. But attitudes change. I intend to record ‘em all.

Fri, Oct. 10:
12:15 am: Play Time on TCM. Already mentioned this.

2:30 am: The General on TCM. Yeah, yeah, I know. Everyone should have seen this by now. But not everyone has, so I hereby recommend that you record and watch it if you fall into that camp.

3:45 am: The Navigator on TCM. Same deal as above.

5:00 am: Macbeth on TCM. This is Orson Welles’ 1948 version where everyone affects a crappy Scottish accent, even the actual Scots in the film. Welles’ accent in particular is so horrid and depressing that it may cause you to think less of Citizen Kane. However! This is one of those movies that has enough greatness and interest elsewhere - in this case, in the visual language of the film and the minor plot changes - that it’s worth a viewing despite its deficiencies.

7:00 am: Gerry on IFC. I love the hell out of Van Sant’s death trilogy (is that a spoiler? I’m not sure). Some viewers find them long and pointless, but I think all three have a transcendent beauty to them that gives meaning to the pointless death in each and begs the question: what’s the point of anyone’s death? In this one, two guys get lost in the desert. There’s a ten-minute tracking shot near the end where they walk from the dark into the morning sun without changing their positions to each other that I think is one of the prettiest scenes in all cinema. It’s almost Abstract Expressionism. Don’t watch it if you don’t like Rothko, but if you do, snap this one up.

8:00 pm: Dick on Oxygen (again at 10:00 pm). This movie looked stupid and fluffy in the previews, and I didn’t watch it until a friend forced it on me. It’s hilarious. Best as the second half of a double feature with All The President’s Men.

Sat, Oct. 11:
6:30 am: Journey Into Fear on TCM. Entertaining little spy thriller with Orson Welles and Joseph Cotten.

7:00 am: Samurai 2 on IFC. The second part of the epic trilogy. Even if you haven’t seen the first part, the plot is fairly self-explanatory and thoroughly enjoyable.

10:15 am: Primer on IFC (repeat at 3:00 pm). Smart, smart no-budget sci-fi thriller. I had to watch it a couple of times (and finally consult a website) to untangle the central mystery, but that’s part of the fun.

11:00 am: After The Thin Man on TCM. The second Thin Man movie. That’s all I need to say, right?

3:00 pm: The Haunting on TCM. This is the 1963 Robert Wise movie, not the awful remake. I recommended it to a friend last Halloween, and she told me it was the worst movie she’d ever seen. I think she’s very, very wrong. It still creeps me the hell out.

Sun, Oct. 12:
5:00 am: 24 hours of Paul Newman movies (The Rack, Until They Sail, Torn Curtain, Exodus, Sweet Bird Of Youth, Hud, Somebody Up There Likes Me, Cool Hand Luke, Cat On A Hot Tin Roof, Rachel, Rachel, and The Outrage) on TCM. Have you seen all of these? I haven’t. Go on, catch up on the guy’s work.

7:00 am: Cleo From 5 to 7 on IFC. Many classics of the French New Wave spend so much time and effort trying to unlock the mysterious, riddle-like conundrum of the enigmatic, baffling desires of oh-so-fickle womanhood that no one will forget they were made by men. This one was actually made by a women, and you can tell.

6:45 pm: Last Days on IFC (showing again Monday at 3:35 am). The third in Van Sant’s death trilogy. I suspect it plays much better if you don’t really care about Kurt Cobain. I don’t, and I loved it.

7:00 pm: Dave Chappelle’s Block Party on MTV2 (repeat on Monday at 5:00 pm). Aw yeah! Somehow Michel Gondry and Dave Chappelle combined forces to make a concert film that is good-natured, loose-limbed, and funny in ways that most concert films could not even conceive.

Mon, Oct. 13:
In case I’m late getting the next installment up on Monday, I just want to mention the following:

11:00 am: George Washington on IFC (repeat at 4:15 pm). Slow and thoughtful take on African-American youths in a go-nowhere Southern town directed by the guy who made Pineapple Express. Obvious influences: Terrence Malick and Charles Burnett.

2:00 pm: Vanishing Point on FMC. The lesser of the two great existential car movies of 1971 (Two-Lane Blacktop is the other). This one’s still a pop culture point-of-reference, especially for Tarantino movies. Definitely worth a viewing.

DVD Digest for July 15, 2008

Paul Clark — Tue, 15 Jul 2008 14:00:00 GMT

This week, a comedic visionary gets the Criterion treatment, Jack goes nuts on Blu-Ray, and the unholy pairing of Martin Lawrence and Donny Osmond hits DVD.

DVD of the Week: Jacques Tati was one of the greatest comic filmmakers ever to man a camera, a brilliant visual filmmaker whose skill at engineering gags was only matched by that of Buster Keaton. Criterion has previously released Tati’s classics M. Hulot’s Holiday, Mon Oncle, and Play Time, and now they’ve made available a snazzy new edition of Tati’s final theatrical feature Trafic. In Trafic- also the final onscreen appearance of Tati’s signature character Monsieur Hulot- Tati takes on car culture, as Hulot takes to the highways in a souped-up camper and encounters all sort of automotive mishaps and outrageous technology. Compared to the almost impossibly ambitious Play Time, Trafic’s humor is quirkier, but Tati’s sense of timing and gentle humanism are as present as they ever were. The DVD also includes the two-hour documentary In the Footsteps of Monsieur Hulot from 1989, as well as a number of interviews with the filmmaker and a new essay from critic Jonathan Romney. Trafic may not be as well-known as many of Tati’s beloved classics, but it’s nonetheless an important title in his filmography, definitely worthy of the attention Criterion has lavished on it for this release.

This week’s recent releases on DVD include: College Road Trip (Disney, also Blu-Ray), the aforementioned Lawrence/Osmond vehicle; Jason Statham in the true-crime inspired The Bank Job (Lionsgate, also Blu-Ray); Step Up 2 the Streets (Disney, also Blu-Ray), a sequel no one actually asked for; Aaron Eckhart in Meet Bill (First Look); the Christina Ricci-starring fractured fairy tale Penelope (Summit Entertainment); and the Brazilian Oscar submission The Year My Parents Went on Vacation (WEA). In addition, this week brings a trio of horror releases- Asylum (MGM), Shutter (Fox, also Blu-Ray), and the omnibus film Trapped Ashes (Lionsgate), whose participants included Ken Russell, Monte Hellman, and Joe Dante.

TV-on-DVD releases this week include Birds of Prey: The Complete Series (Warner) and Saving Grace: Season 1 (Fox).

Finally, the week’s sole Blu-Ray only release is One Flew Over the Cuckoo’s Nest (Warner).

Movie of the Year(s)

Leonard Pierce — Wed, 19 Dec 2007 19:30:00 GMT

Movie geeks like your humble authors here at the Screengrab are no different than geeks of any other sort. That is to say, we are compulsive listmakers, inveterate rankers and categorizers, and the sort of people who will happily mouth off our opinions about things that happened years before we were born. And we're proud to say that over at the Onion A.V. Club, the reviewing staff (friends of this program, as they say in the biz) have found a delightful way of upholding the tradition by combining all three of those geeky tendencies: in their enjoyable new "My Favorite Movie Year" feature, each of their film reviewers picks one year in the past they think of as an exceptional one for film and ranks the top five movies that debuted in that year. The exercise kicked off a week ago when Noel Murray discussed the best films of 1974, and this week, the redoubtable Keith Phipps takes a look at 1967, singling out Bonnie and Clyde, Play Time, Point Blank, The Graduate and Two for the Road as reasons that year was particularly praiseworthy. (Sure, Keith. How quickly we forget Hillbillies in a Haunted House.) Next week should also be worth looking in on as the always-amusing Nathan Rabin picks the best of 1994.