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The Screengrab

  • Screengrab 2009 Preview: Andrew Osborne's Picks

    Not to sound morbid, but it occurred to me recently (whilst contemplating my own mortality) that someday – hopefully some far distant day -- I’ll read an Entertainment Weekly Spring/Summer/Fall/Holiday preview issue and/or watch a flock of coming attractions trailers for a whole bunch of movies I won’t, in fact, live long enough to see.

    In Zelig, Woody Allen’s chameleon character dies with just one regret: that he never got to finish reading Moby Dick. Imagine Zelig’s disappointment if he’d been a Harry Potter fan in November, forever denied the opportunity to see the cinematic adaptation of Half-Blood Prince (let alone the Deathly Hallows)? And Lord knows at this point whether any of us will live long enough to see Zack Snyder’s much-litigated version of Watchmen. (Ironically, another movie that most of us seem destined never to see is Fanboys, about a cancer-stricken geek in 1998 determined, in yet another layer of sad irony, to see the as-yet-unreleased Phantom Menace before he dies...but I digress.)

    Anyhow, with my wife and I both fighting various wintry ailments (and going on a solid week of sleep deprivation thanks to the itchy throats and sinus pressure of the damned), it’s hard to look forward to anything at this point beyond still yet more mucus...but if I should manage somehow to survive this relentlessly cold, snowy New England winter (good Lord...it’s only JANUARY?), then here are the five upcoming 2009 releases I’m most looking forward to:

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  • The Year in Trailer Review: Paul Clark's Favorite Trailers of 2008, Part 1

    Later this week, I’ll be listing my favorite movies of 2008. But before I do that, I’d like to look back at the trailers from this past year that have made my job as Screengrab’s resident trailer guru worthwhile. Despite the lack of really world-beating trailers a la Buffalo ‘66 or Eternal Sunshine of the Spotless Mind, I had no trouble finding seven trailers from 2008 that were pretty rockin’.

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  • Morning Deal Report: Watchmen on Hold?

    "A Los Angeles federal judge has ruled that 20th Century Fox owns the distribution rights to Watchmen, representing a setback for Warner Bros.' plans to release the pic in March," Variety reports. So far Warner Bros. still has Watchmen slotted for a March 6th release, but I envision a sitdown with the Fox suits sooner than later.

    Walt Disney is getting out of the Narnia business.

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  • Screengrab Presents: Cinema’s Greatest Comebacks (Part Four)

    JACKIE EARLE HALEY in LITTLE CHILDREN (2006)



    Some people on this list needed comebacks after destroying their own careers through bad choices or behavior, but the triumphant, Oscar-nominated comeback of Jackie Earle Haley in 2006’s Little Children was extra sweet because it was such a Cinderella story...and, as they say, it couldn’t have happened to a nicer guy. After memorable breakthrough roles as the punk turned Little League champ in The Bad News Bears (1976) and the Cutter with the heart of gold in Breaking Away (1979), Haley suffered the child star curse and saw his career nosedive into obscurity during the ‘80s, ‘90s and most of the oughts. According to Haley (as quoted on the Internet Movie Database), “I'd always avoided stuff like 'Where are they now?' or 'Whatever happened to?'...You tell me, have you ever seen a 'Whatever happened to' where they seemed anything but pathetic? I could do that or just disappear.” And so, like so many creative types before him who’d ridden their dreams as far as they could, Haley rejoined the everyday rat race where most of us live, delivering pizzas, refinishing furniture, working variously as a security guard, a limousine driver and such, until A-list director Steven Zaillian, in the kind of wet dream moment that (usually) never comes true, just happened to remember the actor’s earlier work and cast him, more or less out of the blue, in the 2006 Sean Penn adaptation of All The President’s Men, which in turn led to Haley’s true comeback via his harrowing, heartbreaking performance later that year as the neighborhood pedophile in Todd Field’s Little Children...which in turn led to a part in Martin Scorsese’s Shutter Island and the plum role of Rorschach in Zack Snyder’s 800-pound gorilla, Watchmen. So who knows? Maybe there’s hope.

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  • Cinema’s Greatest Comebacks & Comebacks We’d Like To See (Part Four)

    JACKIE EARLE HALEY in LITTLE CHILDREN (2006)



    Some people on this list needed comebacks after destroying their own careers through bad choices or behavior, but the triumphant, Oscar-nominated comeback of Jackie Earle Haley in 2006’s Little Children was extra sweet because it was such a Cinderella story...and, as they say, it couldn’t have happened to a nicer guy. After memorable breakthrough roles as the punk turned Little League champ in The Bad News Bears (1976) and the Cutter with the heart of gold in Breaking Away (1979), Haley suffered the child star curse and saw his career nosedive into obscurity during the ‘80s, ‘90s and most of the oughts. According to Haley (as quoted on the Internet Movie Database), “I'd always avoided stuff like 'Where are they now?' or 'Whatever happened to?'...You tell me, have you ever seen a 'Whatever happened to' where they seemed anything but pathetic? I could do that or just disappear.” And so, like so many creative types before him who’d ridden their dreams as far as they could, Haley rejoined the everyday rat race where most of us live, delivering pizzas, refinishing furniture, working variously as a security guard, a limousine driver and such, until (in the kind of wet dream moment that never really happens) A-list director Steven Zaillian just happened to remember the actor’s earlier work and cast him, more or less out of the blue, in the 2006 Sean Penn adaptation of All The President’s Men, which in turn led to Haley’s true comeback via his harrowing, heartbreaking performance later that year as the neighborhood pedophile in Todd Field’s Little Children...which in turn led to a part in Martin Scorsese’s Shutter Island and, of course, the plum role of Rorschach in Zack Snyder’s 800-pound gorilla, Watchmen. So who knows? Maybe there’s hope.

    Read More...


  • Are We Ready for We3?

    We do our best to keep you updated about comics-to-film adaptations here at the Screengrab, but it's rare that we get to bring you news of a good comic being adapted for motion pictures.  (And when we do, we're usually pretty nervous about it; see the last half-million posts we've made about Watchmen.)  We were a bit surprised when it was announced recently that Grant Morrison and Frank Quitely's critically acclaimed DC/Vertigo miniseries We3 was set for a big-screen pickup -- but not as suprised as we were when further details started coming in.

    We3 is a strange property from the start. On the surface, it's a funny-animal tale, but it very quickly takes exceedingly dark turns that belie its Incredible Journey trappings.  It's a brilliant, highly moving story, and its ethical stance is one of unabashed animal rights advocacy.  And it's a visually dynamic book, with remarkably intricate art from Scottish artist Quitely that complements and enhances the writing by Morrison, probably the most highly praised author in comics since Alan Moore.  Its visual style -- described by its creators as "Western manga" -- would seem to make it a perfect fit for animation, so it was shocking when Warner Brothers announced it would be a live-action production.  To add bafflement to perplexity, the website Mania is now reporting, based on an interview with producer Don Murphy, that it will be directed by John Stevenson, best known for Kung Fu Panda

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  • Watchmen 2?

    There's not much you can rely on in comics anymore these days.  Lois Lane and Clark Kent finally got married, Spider-Man unmasked in front of the world, Lex Luthor became President of the United States, and the Rawhide Kid turned gay.  But there's still two things you can count on:  the dead don't stay dead, and any comic that turns a profit is going to get a sequel.

    One of the few exceptions to the latter rule has been DC's legendary mini-series, Watchmen.  Generally considered the most highly acclaimed superhero comic of all time, its critical reputation helped fight off the demand for a follow-up engendered by its relatively high sales figures.  (One might also argue that author Alan Moore's wishes, combined with a fiendishly ambiguous ending that seemed to disallow the very notion of a sequel, might have something to do with it.  But Moore doesn't own the property; DC does, and since his rancorous departure from the company, they've never been particularly interested in his opinion on the matter, as evidenced by the large number of movies and TV shows based on his stories, but without his name in the credits.)  But with interest in the upcoming movie version of the comic driving sales to a record high, and the motion picture industry in the habit of booking sequels years in advance to films they merely suspect are going to be hits, Comicscape takes up the question:  are we inevitably going to see a Watchmen sequel, either on screen or on the page?

    Read More...


  • Trailer Review: Watchmen (Trailer #2)

    Sweet, a new Watchmen trailer, and with better music this time around.

    Read More...


  • Screengrab Review: "Watchmen"

    No, unfortunately, your humble correspondent, despite his long history of being obsessed with the upcoming Zack Snyder adaptation of Alan Moore's brilliant Watchmen  comic, was not one of those recently invited to view 26 minutes of the footage at a special preview screening. Nor was I numbered among those who got to see the entire film at a preview in Portland, to decidedly mixed reviews.  Why I wasn't included despite my spooky fixation on the movie is unclear; it might have something to do with the fact that I've predicted the movie will suck raw pork knuckles since it was first announced.  Whatever the case, I haven't seen the damn movie yet, and so that's not what I'm going to be reviewing today.

    What I'm going to be reviewing today isn't even, technically, a movie.  I'm not sure what it is.  Its producers call it a "motion comic".  It's not an animated film, exactly, nor is it a motion picture, nor is it a webcomic or anything else that we have the critical language to talk about.  It's also not playing at a theater near you:  it's available (the first three chapters, at least) exclusively as a download from the iTunes music store.  Even though it isn't music, either.  So what is it?  It's basically the entire comic, written by Moore and drawn by Dave Gibbons, panel by panel, with a very basic, stripped-down sort of cutout animation.  It's also narrated, but not dramatized -- that is, the dialogue is read aloud, in a sort of dramatic fashion, by character actor Tom Stechschulte.  But he's the only member of the cast, which means it's not really a dramatic adaptation of the story -- or any kind of adaptation at all, really.  It's almost like a book on tape of a comic book, only it movies.  Kinda.

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  • In Other Blogs: Watching the Watchmen Watchers

    Warner Bros. invited a number of bloggists to take a gander at 26 minutes worth of Watchmen footage and, scandalously, our man Leonard Pierce was not among them. They’ll pay for this. Kevin Kelly of Spoutblog was among them, and if you simply can’t wait for a minute-by-minute breakdown, he’s got it. “As the footage opens, the Comedian is sitting back watching Richard Nixon give a speech on television about aggression from the Soviet Union. He’s having a cup of tea and enjoying a cigar, just a quiet evening at home. He starts flipping channels and settles on a commercial for Nostalgia Perfume from Veidt Industries, with music provided by the idyllic velvet tones of Nat King Cole. Just a quiet evening at home for a former costumed vigilante. That is, until a figure dressed in black busts his door down and proceeds to kick his ass all over the place before hurling him out the window. As he hurtles to the ground, his iconic smiley face pin, now with a dollop of blood on it, lands beside him, providing the iconic cover for the graphic novel, and the most identifiable image from the Watchmen universe.” Yeah, that’s how I would have done it, too.

    At Scanners, Jim Emerson makes the case that movie critics are the best political pundits.

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  • Spider-Man Spectacular, But Hulk Not So Incredible

    As part of my 12-step recovery program to stop gabbing nonstop about Watchmen (I'm currently on Step 8, where I make amends to everyone I forced to watch the "Architects of Fear" episode of The Outer Limits), I'm happy to bring you news of other comic book movies that haven't been made yet.  By the time March of 2009 rolls around, I hope to have gotten to at least Step 11, where I can look at a smiley-face button without crying.

    Spider-Man star Tobey Maguire has agreed to keep slinging webs for at least two more movies, for an unprecedented $50 million deal that includes profit-sharing and family leave time to hang around with his daughter, the only-slightly-ridiculously named Ruby Sweetheart Maguire.   Strangely, it was the family leave time, not the gargantuan paycheck, that was almost the dealbreaker; Sony was ready to walk and restaff the role when CEO Amy Pascal gave in to the demand, saying six months was too long for any parent to spend without family leave.  Which should come as a surprise to the majority of working mothers, none of whom make $50 million per anything.  To put the figure into perspective, this is the same amount of money Alex Rodriguez makes per year to not win the World Series, or roughly $1.5 million per minute Maguire spends doing a disco strut onscreen like he did in Spider-Man 3.

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  • Warner Brother Tries To Give The Distinguished Competition A Boost

    Despite the fact that The Dark Knight has made roughly eighty-five kerjillion dollars on its way to breaking nearly every box office record since the dawn of motion photography, DC Comics -- and, by extention, their parent company Warner Brothers -- is widely perceived as the big loser in the battle of superhero movies.  Much as Marvel Comics did in the early '60s, Marvel Films -- the people responsible for Iron Man, Spider-Man and the X-Men franchise -- has largely trounced what it used to call its "Distinguished Competition".  Although both companies have turned their franchise characters into successful movies, Marvel's have generally been seen as more successful, more entertaining, more true to their comic book origins, and most of all, easier to get made.  While DC continues to farm its characters out to various studios, Marvel has consolidated its filmmaking power into its studio arm, ensuring a production continuity that provides another curious parallel to the '60s, when the more coherent continuity of Marvel's comics appealed to readers. 

    This is a situation that Warner Brothers, who's been making movies even longer than DC has been making comics, is eager to change.  In an article in the latest Variety, Warner execs and DC bigwigs alike discuss what's being done to avoid the sort of missteps that have led to their being thought of as the second-tier player in superhero films.  From greenlighting unprofitable tripe like Catwoman to dragging its feet on potential blockbusters like Wonder Woman and Justice League, DC's film development players have made a number of high-profile mistakes (let's not even speak of the botch-job that was the making and marketing of Superman Returns) that have led them to be seen as failures despite having put out the biggest blockbuster in four decades.  

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  • Watchmania

    This Watchmen obsession of ours!  When will it ever end?  Well, March 6th of next years, at which we'll hitch our irrationally high hopes to some other wagon.  But in the meantime, that still leaves us six more months to slavishly pore over every detail that comes down the pike!  (By the way, we won't say this is a Screengrab exclusive or anything, but has anyone noticed the Full Cast and Crew notes for the movie?  Apparently, John McLaughlin, Eleanor Clift, Andy Warhol and Annie Liebowitz are in the movie as characters (thankfully not playing themselves).  Will Rorschach party at the Factory?  Will the Comedian be grilled on his foreign policy expertise on The McLaughlin Group?  We certainly hope so... 

    Meanwhile, in the wake of the San Diego ComicCon, almost everyone involved in the movie has been doing publicity interviews.  Collider managed to speak to actors Billy Crudup (who's playing Dr. Manhattan) and Matthew Goode (who's appearing as Ozymandias), and Good is -- surprisingly and pleasingly -- very circumspect about the whole thing.  "We haven't seen the scenes yet," he cautions fans who are going buggy about the trailer; "We haven't seen how people interact, we haven't seen the full flesh of their characters.  And obviously we saw them on set, because of the interations that we had, but I want to see that world; I want to see if it all totally makes sense.  Because sometimes things can get left a little flat.  So let's not start sucking each other off just yet."  Wise words, and the interview also drops hints that the film will remain very true to the book's original ending -- but in the bad news department, Goode also claims his character's outfit has nipples on the suit as part of Zack Snyder's 'homage' to Joel Schumacher's Batman and Robin movie.  This, combined with the use in the trailer for Watchmen of a song from the same film, makes us very nervous; if you want to make the best superhero movie ever made, you want to do as little as possible to remind viewers of the worst.

    Collider likewise gets a chance to sit down with Carla Gugino (Silk Spectre), Malin Akerman (Silk Spectre II) and Patrick Wilson (Night Owl), all of whom mention how closely the script adheres to the comic (a situation which is certainly a double-edged sword; stray too far from the original, and fans will eat you alive, but stick to it too closely and many will wonder why you bothered to make a movie).  Akerman notes that when the movie comes out, it will take fans a long time to come to terms with its complexity and density, just as is the case with the book.  "Someone else who's read the novel for 10 years straight now has so many different views and insights.  It'll take me another 10 years to figure out because you have to read it about 20 times to get every single piece, and every single moment because it's so dense.  But I think we can all come out of it and just give you our opinion about how it feels for us and how we can relate to it."

    Read More...


  • Trailer Review, Comic-Con Special: The Spirit Teaser #2

    Unlike Watchmen, I’m not especially familiar with the source material for this one. But I like this teaser’s, uh, spirit.

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  • Trailer Review, Comic-Con Special: Watchmen Teaser

    Now YOU can watch the Watchmen!

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  • "Watchmen": More Than Just Buying Dave Gibbons a New Boat

    Now that Dark Knight is finally going to be opening nationwide, we can finally return to the natural occupation of the comic book fan:  deranged obsession over Zack Snyder's upcoming movie adaptation of Watchmen.

    As we've discussed before, one of the problems with the recent wave of successful motion picture adaptations of comic book properties is that while they've made tons of money for the producers of the movies, it hasn't worked the other way around. Comic book companies have slavered to get their properties on screen in recent years, in the hopes that audiences turned on by the big-screen adventures of Batman or the X-Men will follow those characters into their local comic book shop.  This is especially important in these days of direct sales, when comic book sales are at a historical low, and people speak in non-hysterical terms about the demise of the industry.  So it's worth noting that the millions in profit made my comic book movies hasn't generally been matched by a notable increase in comic book sales, one comic is bucking that trendWatchmen

    One of the earliest comic book mini-series to take advantage of the 'graphic novel collection' format in the 1980s, Watchmen was already one of the most successful titles in DC's history, despite its indie sensibilities, adult storytelling, and complex, morally difficult story.  But with the movie adaptation getting ever closer, its sales have shot way up -- and DC plans to capitalize on the interest in spades.  They'll be promoting an aggressive three-pronged marketing attack to ensure that anyone sucked in by the movie to the degree that they absolutely must have the comic will be able to get one with not trouble.  The triple attack includes a retailer discount for any shops that wish to carry the original softcover graphic novel; a new hardbound edition for collectors; and a deluxe edition featuring making-of material, rare artwork, and other bonus materials, the comic book equivalent of a fancy Criterion Collection disc.

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  • We Ain't Watching THIS "Watchmen"

    As we've said pretty much every week for the last, oh, say, year and a half, we intend to bring you every single bit of news we possibly can about Zack Snyder's forthcoming adaptation of Watchmen, widely held to be the best superhero comic ever written.  (By the way, this is approximately the nine billionth article I've written about the guy, and I still have to check to see if his first name is spelled 'Zack' or 'Zach'.)  And, as we will probably continue to say for the next, oh, say, year and a half until the movie actually opens, we don't really expect it to be any good.  We could be wrong -- in fact, we're practically praying we are -- but given Snyder's previous track record, our hopes aren't exactly sky-high.

    But one thing's for sure:  Snyder is unqualified in his love for the original source material, and at the very least, he seems to be dedicated to making the Watchmen movie as faithful to the graphic novel as the format of the film will possibly allow.  This could in and of itself be a big problem, leading fans to wonder why, if he's just going to film the panels verbatim, why anyone had to bother making the movie in the first place, but we do know this:  no matter how bad Watchmen turns out to be, it could have been worse.  Much, much, much worse.  

    Read More...


  • Still Watching the Watchmen -- And The DVD Market, Too

    In our ongoing quest to bring you every single solitary detail of the production of Zack Snyder's upcoming adaptation of The Watchmen until your head falls off, we are pleased to report an interesting development in the filming of the comic book masterpiece -- and one that has repercussions, as amazing as it may seem, to peope other than the hardcore geeks who are even at this moment salivating over the prospect of more Watchmen news.

    One of the questions that has long nagged Watchmen fans (other than "will Snyder suddenly become much more talented when he begins work on this film?" and "are they kidding with that cast, or what?") is how the filmmakers can possibly cram the entire story of the comic into a two-hour movie.  Alan Moore's Watchmen is one of the most complex comic series in history, full of dense symbolism, intricate reference, and tons of backstory -- much of it vital to the main plot -- told in supplemental materials that appeared in the back pages of the comic.  No standard-length feature film could possibly capture all of that intricacy, and without it, many feared that the overall quality of the project would suffer.

    Now, in an interesting piece in the New York Times, comes word that Snyder is not making one film, but two, simultaneously:  The Watchmen itself, and Tales of the Black Freighter, an animated feature-length adaptation of the metafictional comic-within-a-comic read by a minor character in the Watchmen, which served to both illuminate and amplify some of the themes and symbols of the main story.  Tales of the Black Freighter will not be included in the Watchmen movie -- but it will be released, on its own, as a separate DVD, only five days after the film is released in theatres. 

    As the Times article makes clear, this is the first step in a new strategy by Warner Brothers of producing value-added DVDs designed, in an era of cable television 'video on demand', to boost DVD sales when they're beginning to falter for the first time in their history.  Warner has already had considerable success with this tactic in direct-to-video releases set in the DC Animated universe (such as Superman:  Doomsday and Justice League:  New Frontier), and the company claims this is about much more than just piling on extra junk for completists:  it allows Snyder to tell a more complete story than the time limitations of the Watchmen movie will allow, and it allows the company to essentially profit three times off the the DVD market for the movie:  first, with this supplemental release, which they anticipate selling in huge numbers on release; second, with the DVD release, months later, of the actual Watchmen movie; and third, with a deluxe package containing both, as well as other supplemental materials (including, it's rumored, a faux-documentary short film of Hollis Mason's Under the Hood -- another book-within-the-book featured in the Watchmen comic that likewise gave vital background information on the characters and their relationships).

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  • Watching "The Watchman": An Interview with Kent M. Beeson

    In case you’ve slept through this past weekend, the summer movie season got off to a roaring start with the big-budget adaptation of Iron Man. With many more comic book movies in store this summer, and even more after that, I figured it was about time to catch up with former Screengrab contributor and all around good dude Kent M. Beeson. As a comic-book fan and movie buff of long standing, Kent recently secured a position with the Web site comiXology, writing a bi-weekly column entitled The Watchman. Kent was gracious enough to take time out of his busy schedule- which also includes numerous freelance jobs as well as a wife and 14-month-old daughter- to conduct this interview via e-Mail.

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  • Who Wants To Be The Account Executive For A Fictional Millionaire Superhero?

    One of the niftiest features of Alan Moore's brilliant Watchmen comic was its fully realized fictional world:  every aspect of the near-future alternate-reality America was fleshed out, from the names of the newspapers to the look of the pop fashion trends of the moment to the fast food joints and retail stores.  Even the televisions were populated by cleverly thought-out commercials, many of them for products manufactured by Veidt Enterprises, the monolithic corporate giant run by ex-superhero Ozymandias.

    Director Zack Snyder is determined to recreate this depth of field as much as possible, but he can't be bothered to actually make the commercials himself, since he is busy filming the movie and blogging endlessly about filming the movie.  So he's making you do it!  Or, more specifically, YouTube.  Snyder is running a contest on the video-hosting site, inviting fans to create their own Veidt Enterprises commercials.  If yours gets picked, you'll get thousands of dollars from the makers of this hugely expensive Hollywood blockbuster film! 

    Ha ha, no, just kidding. But you do have a chance to get your commercial featured in the movie -- for free!  It's not exploitation if you enjoy it!  Me, I'm picturing an ad for Veidt's "Nostalgia" cologne featuring an 80-year-old Wilford Brimley muttering, "You can smell like it's 1956 again."

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  • The Watchmen Mostly Look Like The Watchmen

    To celebrate one-year-and-counting-down to the release of Watchmen, Zack Snyder has released some comicbookalicious images of the tights clad titular team. The Comedian (Jeffrey Dean Morgan), Silk Spectre (Malin Ackerman), Ozymanidas (Matthew Goode), and Rorschach (Jackie Earle Haley) are straight from the page. Patrick Wilson as Nite Owl, however, isn’t screaming authenticity.

    More after the jump.

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  • Elevator Up!

    One of our favorite features over at Comics2Film, aside from their constant Watchmen movie updates that we plunder on a weekly basis to feed our sick obsession with the doomed Zack Snyder adaptation, is "The Elevator." Essentially, it's the online version of a pitch meeting: they invite small-press comics creators onto the site to explain why their particular property is worthy of being greenlit for a big-screen adaptation. Of course, since Comics2Film is just a glorified fansite and not an actual Hollywood studio, nothing ever comes of the Elevator pitches, but it's a fun little distraction (this week's features. . .

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  • Watchmen Watch: Rorschach's First Lawsuit



    Well, at least somebody thinks the upcoming Watchmen movie is going to be a big hit: Fox apparently thinks enough of the project to go ahead and sue Warner Brothers, claiming that they hold exclusive rights to develop, produce and distrubute a theoretical movie based on the groundbreaking graphic novel.

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  • We Watch the Watchmen...and Watch...and Watch....

    Boy, it seems like forever since we've had any Watchmen news, doesn't it? Well, don't worry, fellow slavering comic book fans: we fully intend to completely suck every tiny bit of magic out of the movie by relentlessly cramming every bit of Watchmen-related insider gossip down your gullets until, by the time the movie finally comes out sometime around the crack of doom, you will feel like you have already seen it eighteen times and be utterly sick of it. You're welcome.

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  • More Goddamn Watchmen

    Honestly, folks, we don't know why we're so obsessed with Watchmen news lately.  We'll stop as soon as the movie comes out and is terrible, we promise.  In the meantime, we're obviously not the only people who can't get enough of the hype, because when Jeffrey Dean Morgan was at a press junket promoting P.S. I Love You, all anyone wanted to talk to him about was his role as the Comedian in the upcoming comic adaptation.  Morgan reports that the sets, which have only been seen in a few photos released by director Zack Snyder, are "so true to the book it's insane", discussed the challenge of playing a morally reprehensible character like the Comedian, and vows that the film is "going to change the way people look at movies".  Meanwhile, artist Dave Gibbons, who drew the original Watchmen graphic novel (and who, because author Alan Moore maintains a policy of having nothing to do with film adaptations of his work, is the only creator involved in the movie), visited the set for the first time, describing the sensation of seeing the characters he helped bring into existence walking around and talking as "the most surreal experience of my life".  Gibbons, who Morgan reports was tearing up at seeing the sets, keeps mum about the specifics of the film, as have most people working on the set, but claims that among the cast and crew there is a "palpable commitment to do this right".  Only 15 months to go...


  • Dark Knight News

    In a desperate attempt to write about a comic book adaptation other than Watchmen, we’ve been combing the web for news about Dark Knight (which, despite the title, is merely the next Batman sequel and not an filmed version of the legendary Frank Miller mini-series). Luckily, the geeks of the nation have not let us down. The Library Journal reports that Vermont senator Patrick Leahy, a lifelong Batman fan who has a cameo in the film, will be donating all his earnings to the Montpelier public library. (Leahy is a Democrat. We’re just sayin'.) Variety reports on a new Hollywood trend to source visual effects to a handful of maverick French design companies, who are valued for their blend of technology and aesthetics; one of the companies profiled is Buf, which did the VFX for Spider-Man 3 and will also be handling Dark Knight. And Empire magazine interviews Michael Caine, who praises Heath Ledger’s Joker as "stunning" and says he's the only actor who could follow Jack Nicholson into anything but a nightclub. — Leonard Pierce


  • That's "Graphic Novel" to You, Fanboy

    The productions of perhaps the two most anticipated comic book adaptations of all time — Watchmen and The Dark Knight — have both kicked into high gear, and there’s plenty of geeky content to go around before the movies actually end up in the can.  (Try not to think too hard about the fact that Dark Knight draws only its title, and nothing else, from Frank Miller’s stunning Batman: The Dark Knight Returns, or that Watchmen is being directed by a guy who turned another, far lesser Frank Miller book into a homoerotic big-screen video game.) In the Guardian, film blogger Sean Dodson provides a handy rundown of the astonishingly large number of Dark Knight teaser websites that have sprung up in the last few weeks (including ones for the Gotham Police Department, the local newspaper and a creepily amusing recruitment site for the Joker’s henchmen). Meanwhile, Zack Snyder himself provides some photos from the back lot of Watchmen, which contain lots of goodies for longtime fans of the comic (lots of characters, locations, companies, and other cultural references to the book are present in the background of the shots), although the set designer doesn’t seem to realize that Grain Belt beer has never been a big seller in New York.
    Leonard Pierce


  • The Sound of Science

     

    PZ Myers, the invaluable science blogger, reports that physicist Jim Kakalios, author of The Science of Superheroes, has been brought in as a consultant for Zack Snyder’s Watchmen movie.  It seems like a curious decision; the comic features only one character with superhuman powers, after all, and he is essentially godlike and not bound by any sort of physics.  And it’s not as if they needed to bring in a historian to keep 300 on an even keel, if the box office numbers rather than the critical reactions are anything to go by.  May we suggest saving the money they’d spend on a physics consultant and putting it towards a script doctor instead?

     

    Leonard Pierce

     

     



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