Sure, we know you think we’re a bunch of sellouts. We brought you the exclusive clip and the rave review, and it just so happens that ads for Synecdoche, New York are plastered all over Nerve. I assure you, however, that I have received no payola. (At least, not yet. Cash is fine, fellas.) I just happen to be really high on the movie, but just to provide a little balance, let’s check in with Vinyl is Heavy. “Especially given that structures and their construction are such a major part of the film, it's hard to not see this as at best a missed opportunity, at worst as evidence of Synecdoche's ultimate failure: that it doesn't utilize form. No doubt, it's got some great ideas, ideas about space and time which seem natural to film; but they're not put together in any cohesive way. Things are jumbled, uneven. Leaving the theater, I couldn't escape the thought of what would've been if Kauffman had given things more time, allowed the form to unfold itself, gradually over time, so that we feel time slipping away from us as it slips away from Caden, so that the approach of the film's end really is that gradual approach of Death.” (If you want to read a really dissenting view, check out Rex Reed at the Observer, but be sure to wear your hazmat gear.)
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