• A Solitary Man: "Bronson"

    The new British film Bronson is about a man named Charles Bronson, but it's not a biopic about the star of Death Wish; it's about a 56-year-old former bareknuckle boxer and convicted armed robber (born Michael Gordon Peterson, before he is said to have been renamed by a boxing promoter) who has spent some thirty-four years in prison, thirty of which he's spent in solitary confinement. (Since 1974, he's spent a total of four months out of prison.) Part of what sets Bronson apart from other celebrity criminals is that his fearsome reputation is based not on any reign of terror he conducted in society at large but on his behavior as a prisoner; his relatively brief stretch of time behind bars and outside solitary confinement was a three-ring circus of violent protests, hostage takings, and physical attacks on guards and fellow prisoners. (In the movie, which was nominated for the Grand Jury Prize at this year's Sundance Film Festival, he is played by Tom Hardy, who appeared in Guy Ritchie's recent film RocknRolla)An inside view is provided by Erwin James, who writes in the Guardian, "During my own 20-year prison journey I crossed paths with Bronson on a number of occasions, though we never met face to face. His time was spent mostly in punishment blocks, segregation units, close supervision centres - or in the back of prison vans on the way from one prison to another, always accompanied by at least six prison officers in riot gear. The closest we came to meeting was when I was moved to Long Lartin high-security prison, near Evesham in Worcestershire. Some days before I landed, Bronson had run amok on one of the landings. Naked, blacked-up, wearing only a bandana around his head and wielding a spear, he had single-handedly taken control of most of the wing... The carnage he had caused was in evidence all around. They put me in his old cell; it was surprisingly clean. To be honest, I was glad he had been moved. Doing serious time, trying to make sense of the system, the culture of aggression, and acceptance of failure is hard enough without having to cope with demented and unpredictable neighbours going berserk. A prison officer once said to me, regarding one high-security prison: 'It would be great here if it wasn't for the cons.' He wasn't making a joke."

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  • Screengrab at Sundance: Review of Bronson

    Screengrab editor emeritus Bilge Ebiri reports from the frontlines of Park City.


    Aka I Beat, Therefore I Am. Nicolas Winding Refn’s explosive, beautiful, hilarious, and infuriating Bronson is one of the best films about self-actualization I’ve ever seen. It could have easily been directed by its subject: Charlie Bronson, nee Michael Peterson (Tom Hardy, in one of those bulked-up, electrifying performances I’ll be telling my grandkids about), Britain’s most violent inmate and a man who has spent 30 of his 34 years in prison in solitary confinement, largely as a result of his fondness for kicking the living shit out of prison guards and pretty much anyone else who happens to cross his path. This is no grim and grimy prison film, however. Instead, Refn films in a vibrant, operatic style that tries to approximate the sublime joy Bronson gets from his confrontations. Utilizing lush cinematography, bursts of Verdi, Wagner, and the Pet Shop Boys, along with Hardy’s transformative performance, Bronson works its way towards repeat crescendos of violence; where other prison films might ladle on the triumphant music when their protagonists break free of their captivity, Refn’s film does so whenever its hero gets in a fight. It amounts to pretty much the same thing.

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