• The Best & Worst Get Rich Quick Schemes In Cinema History (Part Five)

    KELLY’S HEROES (1970)



    Like Three Kings (which it no doubt inspired), Kelly’s Heroes drops a heist flick into the middle of a war movie and winds up making some interesting points about free will versus obedience in a military setting where the grunts on the ground sometimes have more in common with the low-level enemy soldiers they’re fighting than they do with their high-ranking, high-living superiors. “You and us, we’re just soldiers, right?” Telly Savalas’ Master Sergeant “Big Joe” says to a German tank commander at one point. “We don’t even know what this war’s all about. All we do is we fight and we die and for what? We don’t get anything out of it.” True, the sentiment’s a little sketchy when the conflict in question is “The Good War” and the enemy solider in question is wearing Nazi S.S. stripes...but in the midst of the far less good Vietnam War, director Brian G. Hutton’s celebration of enlightened self-interest reached out to peaceniks and free market capitalists alike, courting both groups with a truly bizarre combination of actors including Savalas, Clint Eastwood, Caroll O’Connor, Donald Sutherland, Harry Dean Stanton and Don Rickles. Sure, the movie’s pretty good...but I’m guessing it’s nowhere near as entertaining as the wrap party must have been. (AO)

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  • Screengrab's Favorite Movies About Music: Fiction Edition (Part One)

    Last week, as part of our ongoing coverage of the South-By-Southwest Film, Music & Interactive Festival, we decided to get our collective groove on with a list of our favorite movies about real-live musicians.

    But who says musicians have to be real to be memorable? Sure, Mitch & Mickey may be fictional characters portrayed by Eugene Levy and Catherine O’Hara in Christopher Guest’s faux-folkumentary, A Mighty Wind...yet despite the fact the duo never really existed, there wasn’t a dry eye in the house when my lovely Polish bride and I danced at our wedding reception to that non-existent classic hit of sweet, sweet romance, “A Kiss At The End Of The Rainbow."  And, sure, the real Sid Vicious was nice and all...but I have equally fond memories of Gary Oldman’s fictional version in Alex Cox’s Sid & Nancy.

    To blur the lines of fiction and reality even further, this week’s list also includes movies about make-believe people affected by real musicians and real musicians transforming themselves into make-believe people as your pals at the Screengrab salute OUR FAVORITE MOVIES ABOUT MUSIC: FICTION EDITION!

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  • OST: "This is Spinal Tap"

    Song parodies are tricky business.  Done well, they're delightful, working on their own terms musically, delivering on the joke, and rewarding the listener for spotting the various musical and comedic references.  Done poorly, they're about the lowest form of music there is.  One of the reasons that the ouevre of Christopher Guest, Michael McKean and Harry Shearer works so well (and here we include This is Spinal Tap, which, although directed by Rob Reiner, was written by the three performers in much the same way that the later, Guest-directed films like Best in Show and A Mighty Wind would be) is that they have some degree of genuine affection for the medium they're skewering.  If Guest and company simply despised heavy metal, their parody would fall flat -- their unfamiliarity with or contempt for the music would result in unconvincing musical numbers, and their lack of feeling for the characters and the milieu would come across as patronizing rather than funny.  It's an undying tribute to how successful their parody truly was -- and how deeply it comes across as both affectionate and mocking -- that amongst actual heavy metal musicians, This is Spinal Tap is treated with the kind of reverence normally saved for people who play it completely straight.  The movie gets it just right, and real metal musicians know it.

    One shouldn't minimize Reiner's contribution to the film -- he's a much more technically sure-handed director than Guest, and he did provide some of the funnier lyrics to the fictional group's songs -- but it's never hard to figure out, from the delightfully offhand, improvised quality of much of the dialogue to the fact that Guest, McKean and Shearer not only wrote all the music, but performed it themselves without the aid of the usual ringers, who's responsible for Spinal Tap's success.  In a bizarre testament to the power of successful comedy, the soundtrack to This is Spinal Tap  -- which, after all, is a movie about a comically incompetent heavy metal band -- became a huge success.  Many of those who bought the soundtrack album no doubt did so as a goof, merely to remember the mocking songs of this groundbreakingly awful British hard rock outfit with the constantly rotating drummers.  But many more bought it because, intended as a joke or no, these were damn good songs, written by damn good performers, who may have meant them to be insulting, but didn't do so from a position of ignorance.  How good were they?  So good that punk legend Mark E. Smith of the Fall lifted the riff from "Tonight I'm Gonna Rock You Tonight" in its entirety for his own "Athlete Cured".  So good that, when you take into account official releases and fan-created bootlegs, the fictional Spinal Tap has more records available than a lot of really good heavy metal bands that actually exist.  So good that the aforementioned "Tonight I'm Gonna Rock You Tonight" is something of a heavy metal classic despite its jokey genesis, and even appears in the video game Guitar Hero II alongside such genuinely legendary songs as "Freebird", "War Pigs" and "Billion Dollar Babies".  And so good that the soundtrack itself, almost unique among movies in the musical spoof genre, is strong enough to stand on its own detached from the movie:  if you have any affinity at all for the classic heavy metal sound, these are songs you're going to sing along to on your iPod even if you know, deep in your hard-rockin' heart, that they're really jokes at your expense.

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