gretchen mol - The Screengrab

Bettie Page, 1923-2008

The iconic pin-up model Bettie Page has died at age 85, after reportedly slipping into a coma following a heart attack. As an aspiring actress living in New York in the 1950s, Page attracted the eye of an amateur shutterbug and off-duty cop named Jerry Tibbs, who compiled the shots that made up her first modeling portfolio. She soon became a popular subject at "camera clubs" and in the pages of low-rent cheesecake magazines. She became best-known for the photo sessions and short films she did for Irving Klaw, a photographer who might have been named by Charles Dickens who ran a mail-order business peddling pin-up material that was largely pitched to the underground fetish market, including bondage enthusiasts. Page's most memorable work was probably shot by the model turned photographer Bunny Yeager, who photographed Page, looking tanned and happy, on the beaches of Boca Raton and, at a Florida wildlife park, wearing the leopard skin bikini that was to become to Page's image what black tie and tails was to Fred Astaire's. It was Yeager who brought Page to the attention of Hugh Hefner, resulting in her appearing as Playboy's centerfold for the issue of January 1955.

Take Five: HBO

Sex and the City: The Movie opens everywhere that Cosmopolitans are sold today, and the odds are pretty good that it will make enough money to keep Sarah Jessica Parker in sundresses for the rest of her life. There is little doubt as to whether or not the movie -- based on the inescapable HBO original series -- will be successful; the real question is whether or not it's going to be any good. One thing is for sure: it will at least make more money than the other films that have been made out of HBO's original television programming. They're a pretty dismal set of money-losers and critic-displeasers, ranging from the not good (Tenacious D in the Pick of Destiny) to the very bad (the Mr. Show movie, Run Ronnie Run) to the completely awful (the Tales from the Crypt spin-off Bordello of Blood). If the long-rumored Deadwood movie ever gets made, or if the Sopranos movie doesn't turn out to be a disappointment, this may change things, but in the meantime, HBO's television shows have yet to produce a movie worth watching. Less known, however, is that HBO has a production arm that has put out a number of worthwhile films, many of which had theatrical releases prior to their run on the pay cable network; some of them, in fact, were released exclusively for theatrical release through HBO Films or their sister company, Picturehouse FIlms. With their overseeing company, New Line Cinema, dead, the future of HBO Films is uncertain, but given the quality of their past releases, they're sure to find a new home somewhere with parent company Time/Warner. Here's five fine films that were released under the HBO Film distribution banner.

AMERICAN SPLENDOR (2003)

The first, and arguably the best, of a rash of terrific film releases by HBO Films in the mid-2000s, Shari Springer Berman and Robert Pulcini's inventive (and sometimes elusive) documentary about underground comics writer Harvey Pekar stands alongside the remarkable Crumb as a compelling, if sometimes troubling, look at an American original. The comparison is by no means coincidental: legendary cartoonist Robert Crumb is a longtime friend of Pekar's, and the man he first recruited to illustrate his stories of the struggles, victories, humiliations and triumphs of everyday life. If it's a little disengenuous to claim that Pekar is the indestructably normal person he claims to be (and it is -- normal people, after all, do not compulsively and sometimes brilliantly catalog the minutia of their lives in autobiographical comics), there's nothing at all phony about Pekar, his everyday heroism, the skewed attitude and refusal to surrender to the diificultues of an ordinary life, or his irascible and cynical -- if never openly cruel -- sense of humor.