• Screengrab's Ultimate Exploitation Films!!!!!!! (Part One)

    We’ve spent a lot of time discussing quality, award-winning cinema during the past few weeks of Award Season mania, but now that Hugh Jackman has doffed his top hat and tails and the Slumdog kids have shuffled back to Bollywood, we thought it would be as good a time as any to get back to all the SEX-CRAZED!!!! BLOOD-THIRSTY!!!! ULTRA-PSYCHOTIC!!!! movies we really like, from the gin-soaked swamps and drive-ins of hixploitation to the blaxploitation grindhouse and...BEYOND!!!!

    And sure, if you think about it, pretty much everything Hollywood pumps out is some form of exploitation, from the straight-up blood and guts of the zillionth Friday the 13th remake to the pity party relationship-porn of He’s Just Not That Into You. Even this year’s Oscar nominees were baited with pulp: after all, Mickey Rourke’s face in The Wrestler was at least as freaky as anything in Freaks, and where would The Reader be without all the hot Nazi sex and Kate Winslet’s big pepperoni nipples?

    But the movies on this week’s list go even faster, pussycat...not to mention further, deeper, weirder and wilder. They did it first or they did it best or maybe they really shouldn’t have done it at all. Can your heart stand the shocking facts as Screengrab salutes
    THE ULTIMATE EXPLOITATION FILMS-A-GO-GO?!!!!??!?!!!

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  • Rudy Ray Moore, 1927-2008

    Rudy Ray Moore, the actor, comedian and musician who was perhaps more responsible than anyone for creating the lasting urban archetype of the flamboyant, hustling pimp, has died at the age of 81.  The man born Rudolph Frank Moore in Fort Smith, Arkansas passed away yesterday in Akron, Ohio of complications from diabetes, according to a family friend. 

    Moore, whose own past as a lowlife hustler has always been difficult to trace -- given that he was the only source, and grotesque comic exaggeration was his stock in trade -- came of age putting out so-called "party records" for black audiences.  Unapolagetically ribald and wild, often distributed on the gray market and issued at a rapid clip, "party records" were also where Richard Pryor and Redd Foxx saw their first success, but Moore never found a mainstream audience as did those men.  His work was always ruder, cruder, and more sexually explicit than even Foxx's blue material -- which made him a natural for the blaxploitation era.  His two most famous roles were honed from characters created in his stand-up and party-record days:  Petey Wheatstraw, the Devil's Son-in-Law, and the unforgettable super-pimp Dolemite, the role which brought him his greatest fame.  So closely was he associated with the role that many fans simply called him "Dolemite" for the rest of his career.

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