• MIchael Crichton, 1942-2008

    Michael Crichton, who died of throat cancer Tuesday at the age of 66, started out as a prodigy and developed into something like a smoothly functioning assembly line of marketable concepts. Crichton, who graduated from Harvard in 1964 and obtained an M.D. from Harvard Medical School in 1969, published his first novels under the name "John Lange", starting with Odds On in 1966; he also published the thriller A Case of Need (which would be filmed, in 1972, by Blake Edwards under the title The Carey Treatment) in 1968 under the psuedonym "Jeffrey Hudson" and co-wrote the countercultural action comedy Dealing (1970) with his brother Douglas, which they published under the name "Michael Douglas." (It too was made into a movie in 1972.) Under his own name, Crichton published Five Patients (1970), a nonfiction account of his medical experiences, as well as the sci-fi thrillers The Andromeda Strain and The Terminal Man, both of which were also quickly snapped up by Hollywood. Not surprisingly, Crichton, by all reports a bit of a control freak and no shrinking violet, soon decided to get more involved, in a hands on way, with what the movies were doing to his books, and he launched his own directing career with Pursuit, a 1972 TV-movie based on a John Lange novel. A year later, he made his feature directing debut with Westworld, an ingenious sci-fi movie about a futuristic amusement park where average joes can pay to inhabit robot-infested, pasteboard versions of the wild west, medieval times, and ancient Rome and live out their sleaziest, movie-inspired daydreams. The movie, which featured Yul Brynner as a sinister robot version of his own character from The Magnificent Seven, demonstrated just how far Crichton could go in powering a movie with his own cleverness. It also dropped an early hint that he might not have the most flattering opinion of the mass audience he'd decided to pitch his work at.

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  • Stan Winston, 1946--2008



    Stan Winston, one of Hollywood's reigning special makeup and visual effects virtuosos and, as anyone who ever saw him on TV or crossed paths with him at a convention can testify, one of the most likable fellows in his field, died Sunday at his Malibu home at age 62, ending a long struggle with multiple myeloma. Born in 1946, Winston graduated from the University of Virginia, where he studied sculpture and painting, before heading to California in 1968 with ambitions to make it as an actor. Instead, he landed at Disney as a makeup apprentice. In 1972, he founded Stan Winston Studio, the first of a string of companies that would eventually include Stan Winston Digital and Digital Domain (co-founded with Scott Ross). He proceeded to immediately attract attention for his work in television, including his memorable work on the TV movies Gargoyles, where he encased Bernie Casey in Satanic makeup, and The Autobiography of Miss Jane Pittman, where he aged Cicely Tyson a hundred years. (He won Emmys for both programs.)

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  • You Can Count on Her

    When Laura Linney first began appearing in movies and on TV, she had what the Guardian's Barbara Ellen calls a "patrician quality" often found in stage-trained actresses of a WASPy mien and a "deceptively bare--classically beautiful" face, which seemed fused to a "nice girl" vibe: she played a lot of schoolteachers. Her movie parts started getting bigger with 1994's Congo, in which she wielded a big gun against a marauding horde of albino gorillas while the movie's alleged leading man stood there looking shell shocked, which really wasn't the most unreasonable reaction to the script. Somehow, Linney's career survived the drying up of the brief vogue for killer-gorilla jungle movies, but it may not have been until 2000's You Can Count on Me, where she got to have a cackle fit upon hearing her suddenly seamy love life reflected in a country song on the radio, where she really started to get the chance to stretch out onscreen.

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