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  • New on Nerve, 4.10.08: Q&A with Lily Koppel

     

    This is a pretty amazing story. NY Times reporter Lily Koppel finds a bunch of really old junk in the trash, including an eighty-year-old diary written by a New York teenager named Florence in the early 1930s. She tracks down Florence (who's now ninety-two), and together the two of them construct a memoir of Florence's life during the period she wrote the diary. The result is a book called The Red Leather Diary, and it offers a uniquely personal view of the city during the Roaring '20s and, later, the Great Depression. Here's a bit of what Koppel had to say:

    It seems like Florence's life was similar to yours in several ways.
    Well, we were both painters. Both writers. She was cosmopolitan and cultured and risk-taking and sophisticated, and her life was full of theater and art and an obsession with this avant-garde stage actress, Eva La Gallienne. She hosted a literary salon when she was a nineteen-year-old graduate student at Columbia. She became almost like my guide to New York. Something about her voice was so immediate that it dissolved the time [that separated us].

    Read more here.


  • New on Nerve, 1.29.08: Upgrade U



    Beth Lisick spent a year reading self-help books, from how to have better sex in a cleaner apartment, to filling her well (creatively speaking), to tagging along with Richard Simmons on his Cruise to Lose. Nerve correspondent Steph Auteri discussed it all, plus Men and mars and women and Venus. Here’s one little gem she learned:

    This is semi-embarrassing, but having a cleaner and more organized house probably did lead to more sex. After ten years with someone, it's easier to "go there" if you're not excessively preoccupied with all the annoying crap of life. Part of the home-organizing philosophy is having a place for everything, and always knowing where to reach for the lube is a good idea.

    Check out the entire interview here.


  • New on Nerve, 1.17.08: Q&A with Hari Kunzru

     

    Hari Kunzru is one of those rare authors who can write a potboiler that also has plenty to say. That's essentially what his new novel, My Revolutions, comes across as. You could read the whole thing and not give two shits about political history or social justice, and you'd still have a grand ol' time racing along behind his characters as they romp through London blowing stuff up.

    But you'd be missing out, because like Kunzru's other novels, The Impressionist and Transmissions, My Revolutions is a pin-sharp take on individuals who spur change -- in this case, the players at the heart of the '60s culture wars. It reeks of realism (a lauditory quote on the book jacket from a member of the Weather Underground seems to confirm this), and makes you wonder if protest in the '60s was really the lovefest it's sometimes made out to be.

    Read the Q&A here.


  • From the Archives: An Interview with Mary Gaitskill

    One of my favorite Nerve interviews is this one, with Mary Gaitskill from November, 2005, when her novel Veronica was published. Gaitskill discusses intimacy, AIDS in the 1980s and 2000s, pity, feminism and, of course, Veronica.

    “A confidently sexual person doesn't have to announce it all that much. But if it's who you are — if you love to get dressed up in the big heels and the tiny skirt and the wig and the whatever, why not? But I don't feel like that should be idealized any more than the modest, demure person. The same woman can feel both ways on different occasions.”


  • New on Nerve, 11.27.2007: Q&A with scent expert Rachel Herz

    Catrinel Bartolomeu interviews Rachel Herz, psychologist, odor-expert and author of The Scent of Desire. Herz confirms that scents are intimately tied to emotions and that judging people on how they smell is not only ok, we’re biologically programmed to do so.

    “Our body odor is the external manifestation of our immune system. The immune-system match is particularly important for women because they have a huge cost to bear in terms of the time and energy it takes to reproduce.”

    So the next time you’re looking for an excuse to stop seeing that guy you’ve been dating don't struggle with what to say. Tell him it’s nothing personal, you just don’t like the way he smells.

    Read the full article here.


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  • New on Nerve, 11.19.2007: Q&A with NPR host and author Peter Sagal

     

    Peter Sagal is the last person you would expect to be an expert on being bad. According to Will Doig, Sagal, host of the NPR news-quiz Wait, Wait...Don't Tell Me, sounds like “a precise, well-informed newspaper reader with an enviable vocabulary who doesn't do much of anything wrong.” Nonetheless Sagal has written a book called The Book of Vice: Very Naughty Things and How to Do Them. Will Doig spoke to him about traveling to the dark side.

    If you listen to Wait, Wait, reading this piece will be particularly fun because you can imagine exactly how Sagal sounds when he says things like “I had this, if you will, body of knowledge about the porn industry that I found interesting, and it left me, if you will, wanting more.”

    After the jump more details on Sagal’s involvement in the making of Dirty Dancing: Havana Nights and how Harvey Weinstein figures in the story.

    Read More...


  • In Memory of Norman Mailer

     

    Norman Mailer passed away this weekend. To remember him we've reposted an interview from with Mailer and his son John from March, 2006. Read an excerpt below, or go here for the full text.

    Isn't that boredom [that comes from marriage] antithetical to sexual passion?
    Of course. But that's also part of it. When you're driving a car that has five hundred horsepower, you need some kind of brakes. All right, that's a crude image [laughs]. All I'm getting at is that very often, highly sexed people get married in order to have an outlet. [pause] Let me see, I can say something better than that. What a way to end up, huh? You could hang yourself with a sentence like that. [long pause, throat clearing] People, whether highly sexed or not, often need a machine like a relationship, something like an accelerator and a brake. Marriage allows you to do that very well. It's the soft machine of society.


  • New on Nerve 11.12.2007: Tom Perrotta discusses his new book, “The Abstinence Teacher”

     

    Will Doig has a great Q&A with Tom Perrotta today. They discuss Perrotta’s latest novel, The Abstinence Teacher in which an atheist sex-ed teacher clashes with the Christian fundamentalist minority in her suburban community. Below is an excerpt from the interview.

    Perrotta: Every now and then, I meet a couple who met in high school who have been married twenty-five years, and clearly they're still in love. They've experienced their entire sexual lives together.

    Nerve: I feel about that the same way I feel about people who spend their whole lives living in the tiny town they grew up in. It's sort of romantic and fanciful, but horrifying at the same time.

    Perrotta: I agree. One of the things that struck me about this whole abstinence thing is the total fear of experience. Even something as simple as getting your heart broken. I've had my heart broken two or three times, and it's taught me a few things about relationships. It makes you smarter. It makes you kinder to other people. There are all sorts of ways to talk about getting your heart broken that aren't the end of the world. But if you go to an abstinence rally, the metaphor they love is: "Your heart is this pure thing, and every time somebody comes, they rip a chunk out of it! They take a chainsaw to it, and then you have this jagged, awful thing that doesn't look like a sweet Valentine heart anymore. Is that the way you want to go through life? With a damaged heart?"


  • “He's not weird for the sake of being weird; he's just weird because he's weird.”

    Two terrific pieces from the film issue that I missed while I was out: 

     
    This is a great, long interview with Joseph Lanza, whose book Phallic Frenzy “spends as many pages describing [Ken] Russell's onscreen pageantry as its symbolic underpinnings: exaggerated phallic imagery, abrasive anti-religious scenes, nude male wrestling, incontinence, rape and forced enemas.”

    Says Lanza, “Some people will look at the book and say, "Phallic Frenzy? This must be pornography." Well, it's about penises, but it's often about how terrifying they can be, and what the penis might have represented to Ken Russell at various times of his life.”

     
    In Will Doig’s charming piece, “Hollywood Square,” Will talks about his love for mediocre Hollywood comedies. Many of them feature John Candy. None of them are good date movies.

    Made in America is not a film you want anyone to know you've seen, least of all a philosophy major from the University of Maryland whom you're trying to have sex with. I knew, even as I was walking the box to the Blockbuster counter, that I was torpedoing the date. I could have rented a Cassavetes or a Schlesinger, but I couldn't stop myself. I was going to make him watch this, dammit.”



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