61 Frames Per Second : narc

Pixies Cover "Theme From Narc"

Cole Stryker — Fri, 20 Jun 2008 21:00:00 GMT

I'll admit it. I'm not cool. I discovered the Pixies back in '99, six years after their breakup. Their most famous song, "Where is My Mind", soundtracked the climax in Fight Club. The song was so otherworldly, so magnetically creepy that I bought all their albums, including a collection of rarities. When I discovered that Frank Black and Co. covered the theme song from a relatively obscure NES game from my childhood, my inner music geek and inner video game dork gave each other an epic high five.

The original theme tune was written by Brian Schmidt, who has also composed music for several dozen pinball games. "Theme from Narc" was released as a B-side to "Planet of Sound", which was also included on the Trompe le Monde full length. The song comprehensively illustrates why the Pixies the Best Band Ever: simple, metronomic drumming, schizophrenic guitar flourishes, relentless bass riffs, and a quirky sense of humor.

"Theme From NARC doesn't really have a chorus. I thought it was pretty cool, because the chord progression in it is completely fucked up. It isn't standard rock n roll progression." - Black Francis in Rock A My Soul fanzine #2

Awesome. Here's the original version. Just watch the first few minutes.

During my search for the original song, I found this amazing vintage ad. Can you imagine it running today?

The Ten Videogames That Should Have Been Controversial, Part 3

John Constantine — Fri, 20 Jun 2008 17:13:00 GMT

Mike Tyson's Punch-Out!!

We cite Punch-Out!! here not for starring Mike Tyson (a controversial figure, even before his rape conviction), but for the degree to which it epitomizes a trend that would dominate gaming in the late-'80s and early-'90s: the "beat up stereotypes from around the world" gameplay model. Granted, most of Punch-Out!!'s characters are too ludicrous to really offend; it's hard to imagine Pacific Islanders getting all up in arms about King Hippo being kind of a jackass. That said, the sight of cross-eyed Piston Honda babbling "Sushi, Kamikaze, Fujiyama, Nipponichi!" as a mid-match battle cry is a little unsettling. — PS

Persona 3

I’ve written about Persona 3’s disturbing imagery before: “It’s always strange when games filled with truly troubling imagery go unnoticed by the most vocal anti-game pundits. Persona 3, Atlus’ exceptional RPG in the long running Shin Megami Tensei series, has been released not once but twice in the past twelve months without eliciting even a peep out of Joe Lieberman or Focus on the Family. For those unfamiliar with the game, the reason Persona 3 might ruffle some feathers is its protagonists, a team of troubled high school students who control guardian spirits to battle demons. And oh yeah, they release these spirits by shooting themselves in the head.” Seriously! Teens! Shooting themselves repeatedly in the FACE! No one even said anything about all the teens shooting themselves in the face. — JC

Metroid II: Return of Samus

Metroid II is about xenocide; your goal is to slaughter an entire alien species. Yes, there are many games about destroying evil alien species. Usually, though, said species are attacking the Earth or something. Or they're at least competent to make moral decisions. Metroids are space jellyfish. They're not evil, they're just hungry. And the series storyline establishes pretty clearly that the Space Pirates are breeding the things for their own evil ends. Exterminating the Space Pirates would be one thing, but the Metroids are mere low-functioning animals. As you proceed through the game, you watch a steadily declining count of how many of the poor little bastards you have left to vaporize. Imagine if this thing was set in a nature preserve. — PS

Fable

Peter Molyneux may not have delivered on his promise of creating the greatest role-playing game of all time with Fable but it was still a remarkably forward thinking game. Consider this: Fable was released in the United States on September 14th, 2004, a mere four months after Massachusetts started issuing same-sex marriage licenses and two months before senatorial, congressional, and presidential elections where constitutionally banning same-sex marriage was a tent pole issue. I applaud Molyneux for creating a game where a man can fall in love and marry another man. But I am shocked that Fable didn’t cause videogame content to be another talking point that election season. — JC

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Previous Top Tens:
The Ten Greatest Opening Levels in Gaming History
The Ten Most Adventurous Sequels
The Ten Greatest Fire Levels

The Ten Videogames That Should Have Been Controversial, Part 2

John Constantine — Fri, 20 Jun 2008 17:12:00 GMT

Call of Duty 4: Modern Warfare

Call of Duty 4 is a game obsessed with realism, its depiction of combat situations and the tools of war meticulous to an almost terrifying degree. Early in the game, you are placed in the gunner’s seat of an AC-130 Spectre over a Ukrainian field, the night vision view of an aerial assault looking no different than an Iraq war newscast, the radio confirmation of kills unsettlingly casual; a game so realistic that it mimics a soldier’s detachment from killing. It’s strange then that the game, for all its incessant specificity, sends the player to kill Arab soldiers in “the Middle East”, and not an actual nation. Call of Duty 4: Modern Warfare has sold over seven million copies in a war-weary United States in under a year. Am I the only one who finds this sort of depersonalization unsettling? — JC

Mick and Mack: Global Gladiators

Fast-food promotional games are pretty fucked up, as a whole. Selling this nasty grub to kids via smiling cartoon characters and hop-and-bop platforming — well, it may not cross over into "immoral", but it's certainly sleazy. The 1992 McDonald's promo-piece Mick and Mack: Global Gladiators, however, crosses that line by hopping onto the kid-friendly environmentalism in vogue at the time. (See also Captain Planet, Sonic the Hedgehog, etc.) The problem here is that McDonald's' own environmental record was far from clean; as a massive distributor of factory-farmed beef, the company was (and is) directly responsible for a huge amount of pollution, deforestation and energy wastage. Bastards were cutting down the same sparkling-green rainforests through which their grinning shills were merrily traipsing. — PS

Heavenly Sword

It might seem strange that we’ve chosen to single-out Heavenly Sword as our example of an absurdly over-sexualized female protagonist. Dead or Alive, a series that’s persisted for just over a decade now without causing a kerfuffle despite its bizarre, hyper sexuality, might seem like a more logical target. You might even say that Heavenly Sword’s a poor example considering its emphasis on Nariko’s empowerment in a male dominated fantasy world. But let me ask you, if Nariko is such a great warrior, savior of her people even though they hate her for being a woman, why does she go to war in her underpants? She is fighting people with swords in her underpants. No one thought mention to developer Ninja Theory that underpants are not effective armor? Nariko stands in for the legions of silly, objectified, hyper-sexualized female game protagonists. We’re giving Lara the day off on this one. — JC

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The Ten Videogames That Should Have Been Controversial, Part 1

John Constantine — Fri, 20 Jun 2008 17:11:00 GMT

Games have been raising hackles since their inception. Howell Ivy kick-started gaming and controversy’s relationship when he designed Death Race in 1976, a simple black and white game that was, well, about running people over for points. That was enough to get America riled up, prompting 60 Minutes to run the first of many, many televised news stories about the psychological effects of gaming. But public outrage is unpredictable. Politicians and parent groups have been shocked by d-list titles like Manhunt and Night Trap while more popular, widely played games with far more inflammatory content have passed by unnoted. Today, 61 Frames Per Second presents The Ten Videogames That Should Have Been Controversial. A number of these are games that we are surprised did not cause uproar in a number of communities. The rest are games that we ourselves find seriously questionable in content. How do you feel about these videogames? Indifferent? Appalled? Leave a comment and let us know. — John Constantine

NARC

I don't know about you, but I have at least a couple of friends who have occasionally sold drugs. They're pretty lucky they grew up in the relatively permissive '90s, and not in the merciless, Reaganite '80s presented in NARC. Sure, NARC gives you bonus points for arresting dealers instead of killing them, but that's because it's almost impossible to do. Far easier is just perforating them on the spot. As my fellow blogger Cole notes, "I guess dismembering hundreds is okay if they're pushin'." In fact, there was some parental outrage over NARC's unprecedented level of gore, but its moral assumptions went pretty much unchallenged. — Peter Smith

Pokémon

Have you ever noticed that there are no regular, powerless domesticated animals in any of the Pokémon games, cartoons, comics et cetera? Let's say your pre-teen brother/sister/cousin goes out for a walk one day and comes across a pigeon in the street. They then capture this pigeon in a small cage and train it to fight the dogs, lizards and ponies that the other neighborhood kids have captured and trained to fight, as well as stray cats and sewer rats that can then be captured and trained for similar purposes. Yeah, that scenario is a little awesome, but it's also pretty horrifying, right? When Michael Vick is involved in a dogfighting circuit, the media explodes with rage, but when your kids do it in a Nintendo game it gets rated E for Everyone by the ESRB. — Derrick Sanskrit

Final Fantasy Tactics

As much as Final Fantasy Tactics’ tale of political intrigue in the feudal fantasy-scape of Ivalice is concerned with a power struggle between church and state, it’s hard to get past the game’s barely veiled indictment of Christian lore. Tactics' villains are essentially the Catholic Church. Their central figure is Saint Ajora, a 'child of God' with twelve disciples, one of whom betrayed him and sent him to his death. 'Cept it turns out Ajora wasn't really the son of God, but a power-hungry war-mongering mortal who was sneakily made divine through church skulduggery and historical revisionism. Good thing RPGs require so much reading, otherwise there might have been some good ol’ fashioned game burnings back in 1998. — JC

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