When the Sega Genesis came on the scene, there were specific game advertisements or previews that made kids look at their 8-bit Nintendo with new doubt. Some children started paying attention to the Genesis when Altered Beast wose from its gwave. Others started pulling on their mom's arm for Sonic the Hedgehog.
The first game that gave me “console envy” was Michael Jackson's Moonwalker.
If you're nodding with me right now, you're around my age and you understand me. If you're snickering, you're a young punk and gerroff my lawn.
When I was a kid, the name “Michael Jackson” made kids' eyes light up. Promises of special trips to Neverland Ranch and all the candy we could eat weren't necessary; Michael was just that cool. Everyone wanted to be Michael. He could dance, he could perform and damn it all, he put together Thriller.
Moonwalker was cool, too. At the time, it made perfect sense to me that Michael's demigod essence could not be contained by the dinky Nintendo; no, it would take nothing less than a 16-bit temple. The in-game playlist was enough to stop a kid's heart: Bad, Billie Jean and Thriller to name a few (though we did get stiffed pretty bad Thriller-wise, since the music didn't show up where you'd expect it to—hello, graveyard? Zombies?).
But once you stripped (!!!) the suave suit and hat from Moonwalker, it wasn't much beyond a mediocre platformer with a big name and Bubbles face-sitting action.
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