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A Few Thoughts on Wii Graphics

Slick

Right next to whether a game “sucks” or not, graphics is probably one of the most contentious topics in gaming and a typical source of pot shots aimed at the Wii. I recently wrote about my own feelings concerning the importance of graphics where visual quality is concerned, ultimately concluding that “it's the art, stupid!”. I might be biased.

Today I figured I'd explore the topic a little further in regards to my favorite current generation system, the Wii. Yes, yes, we know the Wii lacks the raw graphic power of those other systems, let's move on shall we?

Posted Mar 23 2009, 07:30 PM by Amber Ahlborn with | with 3 comment(s)

Filed under: no more heroes, wii, madworld, amber ahlborn, graphics, art style, art design

A Few Thoughts on Graphics

If you feel that graphics are important, then obviously you must be a shallow gamer who only plays HD iterations of big budget shooter X.

If you say they don't matter then surely you're a casual gamer loser or retro gamer snob.

This false dichotomy seems to represent the default positions on where people fall when presented with the question: Do graphics matter? But what do graphics really matter? As a graphic artist, you'd think I'd consider them pretty important, and you'd be right. However, I feel that the wrong question is being asked here.

Of course graphics matter, and asking if they matter more than game play is little more than a distraction. A far better question in my opinion is: What purpose do graphics serve?

Posted Mar 16 2009, 11:30 PM by Amber Ahlborn with | with 6 comment(s)

Filed under: amber ahlborn, graphics, art style, art design

Crossing the Uncanny Valley: Part 1

Time doesn't seem to be on my side. As my day job devours so much of my time I tend to wait until the weekend to do the majority of my writing which means that sometimes somebody else writes about what I was planning to write about. In this case, it would be the Uncanny Valley; a theory concerning design (mostly visual but it can extend to the other senses as well). The Uncanny Valley is an incredibly important concept for artists in the video game industry to grasp. With today's systems being as powerful as they are, photo realistic graphics are not simply possible but becoming ever more common, and if I had my way, no artist (or director, or producer) would be allowed to work on a game project without having a solid grasp of what the Uncanny Valley is and how it relates to the art assets used in video games.

Seriously, somebody has already done the heavy lifting for me in describing what the Uncanny Valley is. Go here. The article even includes an awesome little video that explains the theory in simple, clear, and entertaining terms. Do it, I'll wait...

Back already? Okay then, let me add to what we've learned.

Posted Nov 10 2008, 10:00 AM by Amber Ahlborn with | with 2 comment(s)

Filed under: uncanny valley, amber ahlborn, graphics, game design, best of 2008

Sonic Unleashed Wii: Should Dimps Be Trying Harder?

Sonic the Hedgehog has the pull of a train wreck: no matter how tired you think you are of his lacklustre 3D adventures, you can't help but take a good long stare whenever one is announced.

Sonic Unleashed, for example, exists only as a handful of screenshots and a couple of trailers, but gamers who insist they're thoroughly tired of the hedgehog are still finding plenty to mouth off about. The August issue of Nintendo Power created a stir with some new screenshots for the Wii version of the game. When compared to the preview material for the Xbox 360 and Playstation 3 versions, Sonic Unleashed for the Wii looks very...well, last gen.

Posted Jun 30 2008, 01:00 PM by Nadia Oxford with | with 3 comment(s)

Filed under: wii, street fighter 4, playstation 2, sega, sonic the hedgehog, nintendo power, xbox360, sonic team, sonic rush adventure, dimps, super mario galaxy, sonic unleashed, playstation3, graphics, sonic and the secret rings

about the blogger

John Constantine, our superhero, was raised by birds and then attended Penn State University. He is currently working on a novel about a fictional city that exists only in his mind. John has an astonishingly extensive knowledge of Scientology. Ultimately he would like to learn how to effectively use his brain. He continues to keep Wu-Tang's secret to himself.

Derrick Sanskrit is a self-professed geek in a variety of fields including typography, graphic design, comic books, music and cartoons. As a professional hipster graphic designer, his recent clients have included Nerve, Pitchfork and MoCCA, among others.

Amber Ahlborn - artist, writer, gamer and DigiPen survivor, she maintains a day job as a graphic artist. By night Amber moonlights as a professional Metroid Fanatic and keeps a metal suit in the closet just in case. Has lived in the state of Washington and insists that it really doesn't rain as much as everyone says it does.

Nadia Oxford is a housekeeping robot who was refurbished into a warrior when the world's need for justice was great. Now that the galaxy is at peace (give or take a conflict here or there), she works as a freelance writer for various sites and magazines. Based in Toronto, Nadia prizes the certificate from the Ministry of Health declaring her tick and rabies-free.

Bob Mackey is a grad student, writer, and cyborg, who uses the powerful girl-repelling nanomachines mad science grafted onto his body to allocate time towards interests of the nerd persuasion. He believes that complaining about things on the Internet is akin to the fine art of wine tasting, but with more spitting into buckets.

Joe Keiser has a programming degree from Johns Hopkins University, a tiny apartment in Brooklyn, and a fake toy guitar built in the hollowed-out shell of a real guitar. He writes about games and technology for a variety of outlets. One day he will stop doing this. The day after that, police will find his body under a collapsed pile of (formerly neatly alphabetized) collector's edition tchotchkes.

Cole Stryker is an American freelance writer living in York, England, where he resides with his archeologist wife. He writes for a travel company by day and argues about pop culture on the internet by night. Find him writing regularly here and here.

Peter Smith is like the lead character of Irwin Shaw's The 80-Yard Run, except less athletic. He considers himself very lucky to have this job. But it's a little premature to take "jack-off of all trades" off his resume. Besides writing, travelling, and painting houses, Pete plays guitar in a rock trio called The Aye-Ayes. He calls them a 'power pop' band, but they generally sound more like Motorhead on a drinking binge.